![]() The Frozen Borderline: 1968-1970 is a UK-only deluxe combination of both albums, appending 18 alternate versions to the pair's original 16 songs.Īfter Chelsea Girls, apparently on the suggestion of Leonard Cohen, Nico took up the harmonium, an accordion sibling that's usually foot-operated. They may not have achieved the renown of Chelsea Girls, but they've held up just as well, if not better, artistically. ![]() Her next two albums, 1969's The Marble Index and 1970's Desertshore, are more accurate representations of her dark, dramatic vision. But to Nico they were the antithesis of her own artistic core. The lithe melodies (written by ex-boyfriends Jackson Browne, Bob Dylan, and Lou Reed, among others) and ornate string arrangements struck an irresistible contrast to her chilly vocals. Less well-known is how much Nico despised the album. Its bittersweet folk-pop has continually grown in stature, even hitting a pop culture peak a few years ago when "These Days" showed up repeatedly in commercials and films. Frozen Warnings (Hidden Track) (4:24)įour decades after its release, Nico's first solo album Chelsea Girls remains her most famous. Roses In The Snow (Alternate Version) (4:00)ġ4.1 On The Desert Shore (All That Is My Own) (2:44)ġ5. There are a bunch of exclusive perks only for patrons: playlists, newsletters, downloads, discussions, polls - hell, tell us what song you would like to hear covered and we will make it happen. Prepare to be steamrolled because it’s all kinds of amazing.Ĭover Me is now on Patreon! If you love cover songs, we hope you will consider supporting us there with a small monthly subscription. On her cover, acoustic guitar replaces harmonium and Nico’s gothic, controlled vocal is replaced with Fohr’s intense, operatic wail. Covering Nico might seem a little on nose given the similarity in Fohr’s vocal timbre, but her pipes are infinitely more powerful. “Janitor” is a gorgeous, ominous dark cloud of a song and with it’s hypnotically swirling harmonium and mannered keening is about as rocking as Nico gets. The song was written as a tribute to Brian Jones, a friend and briefly a paramour. “Janitor of Lunacy” served as the opening track on Nico’s emotional, windblown masterpiece 1970’s Desertshore. Included were an assortment of spellbinding performances of tracks by Bill Fay, Lucinda Williams, Grouper, Purple Mountains, Sibylle Baier, Fleetwood Mac…and Nico. This past Halloween, Fohr offered up a virtual show recorded at Constellation Chicago, consisting of 8 fan chosen “Sad Songs”. Which is to say Circuit Des Jeux-Jackie Lynn-Haley Fohr goes everywhere and does it with extraordinary panache. Back in 2016 Fohr released an album under the name Jackie Lynn that was ostensibly a country record but featured inflections of lo-fi, psych, new wave, Linda Perhacs and Suicide. Songs can be lush and regal or awash in a transportive electronic haze. The Circuit Des Yeux sound is alternately urgent and passionate or austere and emotional. Her lonesome otherwordly voice is a mix of Nico, Odetta and Bill Callahan, and her sound is impossible to stuff into a singular, definitive category. Welcome the chameleonic sonic world of Circuit Des Yeux aka Haley Fohr.
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